Posted at

6:20pm on March 14th, 2013

Tagged with

  • Evening Dress
  • Halston
  • 1970s
  • 235 notes


    1. s3quin reblogged this from waltgrace-1967
    2. youkissu reblogged this from fashioninhistory
    3. waltgrace-1967 reblogged this from fashioninhistory
    4. stella7soul reblogged this from fashioninhistory
    5. shezzashalesxo reblogged this from vivisoo
    6. vivisoo reblogged this from fashioninhistory
    7. thymeladykatl reblogged this from fashioninhistory
    8. abbiepanks reblogged this from fashioninhistory
    9. arsenicandespresso reblogged this from modifiedmermaid
    10. manicmariafashion reblogged this from one-q
    11. one-q reblogged this from fashioninhistory
    12. hokayhereitis reblogged this from fashioninhistory
    13. seven-points-of-balance reblogged this from fashioninhistory
    14. putriayuningtias reblogged this from fashioninhistory
    15. ps-im-a-dreamer reblogged this from fashioninhistory
    16. luvthepens87 reblogged this from fashioninhistory
    17. cameliaincolour reblogged this from fashioninhistory
    18. gentlemeninperil reblogged this from fashioninhistory
    19. bruiseandleavebehind reblogged this from fashioninhistory
    20. shomacsalami reblogged this from fashioninhistory
    21. brittishtea reblogged this from fashioninhistory
    22. escapingthefarm reblogged this from fashioninhistory

    Evening Dress

    Halston

    1970s

    The one-shouldered gown appeared in many of Halston’s collections. He was especially interested in the bias-spiraling of fabric over the body. His most popular designs were often repeated in a variety of luxurious fabrics—silk chiffons, crepes, jerseys, hammered satin, and even cashmere knits. Halston rarely discussed the actual technical aspects of his work. On close examination, however, the apparent simplicity of his designs is extraordinary in its minimalist resolution. His teal gown extends into a wrap, as if himation and chiton were merged. His purple gown, while not strictly one-shouldered, evolved from the pattern pieces of his earlier gowns with asymmetrical necklines. Although modest in its coverage of the body, its fissured and angled neckline and tentative anchoring on the right shoulder convey a potential for nudity and allude to the classical Greek fashion of anchoring the himation at the shoulder to fall down one side.